Thursday, April 24, 2014

DOA's review from 2011 - D.O.A. + Deathcage + Topnovil + Headbutt - at The Excelsior Hotel, Sydney







In time for their tour here this week, below is my DOA review which I wrote of their show in Sydney on their last tour that was published on Sludge Factory (now SF Media) in March 2011... I'm sure their gig on Saturday night back here - said to be the bands last before DOA's singer Joey Shithead follows his convictions into Canadian politics... Check it out here.
 
Supports will be HOSTILE OBJECTS, WOLFPACK, and RUST
 
Read on...

 
D.O.A. + Deathcage + Topnovil + Headbutt
Excelsior Hotel, Surry Hills SYDNEY
Friday, 11th March 2011
Review by Derek J. Huckel


First on the bill tonight were HEADBUTT, a five piece band which could perhaps best be described as Oz Yob Punk Rock. The tunes they pumped out were fun, fast and energetic, immediately getting you caught up in the three chord tempo rhythm. But if use of the word 'cunt' is offensive to you, or at least, use of it about 50 times in 30 minutes then maybe give these guys a miss. It was amusing in a way to begin with. Song titles included 'Fuck You' and 'Fuck-off Cunt', 'Religious Cunts', a song about a guy who's dead and was a cunt, another about fat cunts - whom one of the guitarists included himself, '2 Bucks' (which I think was about homeless cunts), 'Cunt of a Day', 'Sink More Piss', and a song which I think is a cover for a personal search of religion called 'Gods Arse'. I find it ironic that a band who mightn't agree with religion spend time writing and singing about it how HEADBUTT did. Each to their own I say.

Wollongong's TOPNOVIL were next up after a short wait and the area in front of the stage was full immediately! It was earlier nowhere near as full for HEADBUTT. Maybe that was first band syndrome, or alienating the crowd with all the 'cunts'? TOPNOVIL held the crowd in their palm pretty soon after launching into their first song 'Trash'. Followed quickly by 'Rock n Roll', and 'Punk Rot'. All these and those that followed were tight, fast and kept your attention with their musicality in the rhythm changes and lyrics. The singer Dee Dee put his heart and soul into this thirty minute set, as did the rest of the band Pauly, Brady and Lucko. He told us as much too that they wanted to jam as much as they could for us into their 30 minute set, even telling us this at three times normal pace like he'd had one too many energy drinks. The singers emotion burst through his eyeballs as he bounced around the mic, tilting at several different angles like straining to grow another few inches. In one song singing 'with punk rock in our hearts/ we will never die' and in that minute with his energy filling the room with those words, most of us believed him. The power and feeling of the band was felt by the crowd and made all bop away in some fashion or other. Songs 'Sidewalk' and 'Scenario' followed next, then 'The Crew', 'Time to Fight', and 'Wasted'. The band literally stopped for ten seconds for a drink then launched back into what they were here for - playing more punk rock full tilt! Ska coloured their tunes too, one or two were pretty much straight ska whilst another few had ska flavourings. Closing the set were 'Never Trusted You', a great cover of 'Radio' (I couldn't pick who by), and 'The Fight'. I was made aware that TOPNOVILs' name was derived from an expression 'liv(e)-on-pot' spelt backwards. Interesting piece of neat trivia for a great band! They've been around since '97 honing their craft and tonight they looked and sounded like that time has not been wasted but has made them a very sharp and spot-on unit. Indeed kicking ass tonight and it sounded (and felt) good!!

DEATHCAGE were on and in your face immediately. If you know England's ENT - EXTREME NOISE TERROR - then that band could give you an idea of what we had here on this frightful eve. They quote 90's Japanese hardcore bands such as DEATHSIDE, CRUDE and BASTARD as key influences. They have been around since 2008 and have a growing following which could only have been strengthened tonight. Their wham-bam 'take no prisoners' approach grabbed a lot and lost a few in the audience. Just looking at the guys in this four piece band then you might have thought you were going to get stoner rock by the long curly haired stocky guys look on bass, or glam from the long haired feather cut of the guitarist. The leather gloved crew-cut wiry singer might lead you to believe some type of fetishism was about to occur. In the third song, as we were being sonically assaulted by a technical guitar, speedy bass playing and a wicked rat-a-tat relentless drumming, the singer launched himself into the crowd and ricocheted off several punters before climbing back to his perch on stage. 'Daggers Roll' was one of the last power packed songs to their set. The kinetic energy and sound these guys were putting out became somehow enjoyable but numbing at the same time, making it a respite when they were done.

There was alot of anticipation in the room waiting for D.O.A. This Canadian band of punkers has been making music since 1979 & still going strong, if the strength of their music tonight is anything to go by then I can't see them pulling the plug for a while yet. I saw them previously in the 90s and they were as relevant and as powerful then as they were tonight with their political and socially conscious lyrics. People went off as soon as they hit the first note. The strong following at the front of the stage didn't stop all night and knowing all the words, some would've done the singing if they could. I think Joey 'Shithead' (aka. Joe Keithley) had some at hello. 'Class War' was one of the first songs played people were pogoing and jostling. Joey asked for the lights to be toned down as with all the flashing lights he said '...it's like being in a Japanese cartoon.' The mosh pit started up again with the next song 'Waiting For You'. Joey is a great frontman, vibrant and energetic bursting with the emotion fuelled by his lyrics. Bass player Dan Yaremko is a great side man too, you can tell these guys have been together for a while, he'll step up and back for when he feels Joey there – it looked like a sixth sense thing at times, or obviously if the song requires it. The young-looking drummer was great too. Jesse Pinner had great power & spot on timing, keeping the solid beat and a glue for the front two. Apparently the drummer has been only with the band since May last year.

'Police Brutality' was next, or as singer Joey called it 'Fuck The Police'. 'I live in a Car' followed. I thought this was going to be a UK Subs cover but its not. It's off their new album 'Talk – Action = Zero'. It's sentiments are the same as the SUBS song but updated I guess to modern day econo-crisis - their lyrics: 'They took my job, my wife and my kids/ And the bank foreclosed, I think I flipped my lid/ Now the welfare line is all that’s left/ Yeah, I think I’m dying from this corporate death'. 'I am an Atheist' was the next tune that sent the mosh into a frenzy. I wondered if it's the subject matter or most knew the song but the tempo of it is ratcheted up past the others quite a bit. Joey dedicated the next song to a Sydney guy Nigel and his family who had D.O.A. stay with them last time the band were here. Sadly the guy passed away. 'Bombs Away' off '13 Flavours of Doom' (1992 ) was the song for him. Shithead was obviously heated having sweated buckets for us tonight, asking 'Don't you believe in AC (air conditioning)?' adding 'us poor Canadians from the land of ice and snow...' After a towel down 'Liar For Hire' was next, singing of the un-great character traits of many politicians, then 'Disco Sucks'. Joey got a bit narky at getting a cord bumped out. Doesn't this come with the territory sometimes? I guess he's so amped and it would piss you off. The band were very appreciative to the support bands, thanking them a few times during their set, the dedicated the last song 'The Prisoner' to them. This set off a surge of crowd to the front who hadn't been up there or returning people intending to wring all their energy out that they could muster from themselves for this legend band & their musical heroes who had put in 120% to this high overload energy set. D.O.A went off worn out. And as expected, the medium sized rooms crowd bayed for more. Joey and the guys came back for two more songs. The first songs intro Shithead used to introduce the band, then the bassist Yaremko intro'd him 'weighing in at a massive 550 pounds, Joey Shithead!!!' In reality, Joey is as thin and wiry a guy his age could be!

Sadly their tour of Australia and New Zealand was only ten days long but they fit as much in as they could, finishing on the Sunday after this show. Catch them next time they're here – or get one of their 17 albums (!!) - I'm sure you won't regret it!



Tune: D.O.A. - 'Police Brutality'


DEATHCAGE website



TOPNOVIL website

Tune: TOPNOVIL - 'The Crew'
 
 

Friday, April 4, 2014

Black n Blue Bowl weekender...

How about this line-up!
Only in Mew York eh... 
Sunday & Saturday May 17- 18th, 2014:
Some of the bands playing include... DISCHARGE
Agnostic Front
(only appearance “Cause For Alarm” line-up)
Hate Breed
Biohazard
7 Seconds
Kraut

Sunday, December 8, 2013

Update about 'City of Yarra: To stop the closure of live music at The Bendigo Hotel, in Collingwood' on Change.org

If you didn't know already, The Bendigo (Hotel) in Collingwood has a 'stay of execution'. I got this a few weeks ago and have been meaning to share it.

A landslide of support, which was 10,000 signatures in 2 days!!, helped stall the interim order against the hotel by Yarra Council and they will work together to find a solution.

Here's the full thank you email which I received


"Hi

Thanks so much for signing our petition to save live music at the The Bendigo. We had a phenomenal response with over 10,000 signatures in 48 hours!

Your support played a pivotal role in stalling the Yarra Council's interim order in VCAT and working with the Bendigo to find a solution.

We are still in negotiations with Council, but things are looking good and all future gigs will be rocking on. We'll let you know when we have completed negotiations and what else we can all do to ensure all live music venues in Melbourne are better protected in the future.

Thanks again for making a stand for live music in Melbourne, it really made a difference!

Guy, Tiff & DC

P.S. Continue to send your band booking enquiries todc@bendigohotel.com.au"

Wednesday, December 4, 2013

HOSTILE OBJECTS "YOUNG GOD" SYDNEY 7" LAUNCH - Friday 29th November 2013

Hostile Objects + Throwdown + Deadly Visions + The Fuck Outs
The Gladstone Feeling, Sydney
29 November 2013
Review by Derek J. Huckel
Photos by Derek J. Huckel and Alec Smart


What a great little venue it even has a cool beer garden. This is one venue to ruck with the band if you so wished, being about 2 metres between stage and band – no stage. Or if you're THE FUCK OUTS, their singer Trouble is gonna ruck with you! If and when he feels like it… which is about every song tonight so watch out. As their blurb says THE FUCK OUTS play ‘bad ass hardcore punk rock and fucking roll!!!!’ That’s what we wanted and its what they delivered in spades with tunes like 'No Test - No Disease' and Çrystal Meth Master Chef'.

Ripping it up!! - HOSTILE OBJECTS
pic by Derek J. Huckel

Some cool breakdowns that DEADLY VISIONS dished out in their brand of hardcore got the council digger dancers out on some songs, flailing arms wildly, knocking anyone foolish enough to be in there way. The singer joked the Shire had come to Redfern tonight, obviously many local fans having trekked up to see their local lads play. His other banter was querying a local scatty folklore… Their brand of aggressive hardcore is rooted in the punk but the metal influences are evident, especially in some SLAYER-like guitar riffs well used tonight.

 

THROWDOWN, also from the southern Sydney 'burbs, have a workman like attitude to their music - not much moving about just down to business, pummelling you with there driving beat and riffs. The songs they played included 'Can't See Anything Wrong', 'Keep Standing Tall'. 'Can't Taste The Words' they shared will be on a compilation next year compiled by Scotty Mac of TOE TO TOE. They wound up with a pretty darn good cover of The MOTORHEAD classic 'Ace of Spades' which three of the four piece band sang on. They anticipated that it was going to fail but it came off ok.

Minutes of feedback preceded HOSTILE OBJECTS first tunes, heightening the crowds eagerness for them, tonight's main act. The packed dance floor erupted when HOSTILE unleashed 'Weed' (working title, explained singer Rod Hunt). A few tunes in and singer Hunt says the next few would be the EP tunes in order off the vinyl seven inch release (yes, they still make that round flat black stuff) which they were launching tonight. These were the shredding 'Turkish Knives', the relentless 'Blackened Room', and 'Eat Your Money', the titular 'Young God', followed by 'Send In The Clowns', and a killer cover of POISON IDEAs 'Çop An Attitude'. All present lapped up their '80s thrash slant on hardcore. Song themes on topics such as corruption, injustice, angst, plastic people and even lost love (sic). They played the cover of FEARs’ ‘I Don't Care About You’ 'dueting with random eager punters.

The final number ‘Cave In’ bought tonight a pit like I hadn't seen before at their shows! People going off in reaction to the slow heavy grinding rhythm. While singer Rod Hunt sang as though chanting fire and brimstone to someone above, the disciples like crowd were banging their heads in a trance like state, dancing in near tribal unison to the ryhthym and beat delivered by Hunts henchmen Jimmy Fatal (guitar), Luke Death (bass), and Grant Rizzo (drums). The dancefloor was a sight to behold. All too soon it was all over... and we were wanting it all again... Ahhh well, til next time.


Here's the HOSTILE OBJECTS website...

And check out their music here - HOSTILE OBJECTS on bandcamp website

Check out THROWDOWN SCHC <here

Find some music here for DEADLY VISIONS... and
 
Find here The FUCK OUTS



The FUCK OUTS
pic by Derek J. Huckel
 
Trouble in your face - The FUCK OUTS
pic by Derek J. Huckel
 
DEADLY VISIONS
 
THROWDOWN
 

Setlist -  THROWDOWN
pic by Derek J. Huckel
 
Singer Rod Hunt shredding tunes - HOSTILE OBJECTS
pic by Derek J. Huckel
 
Jimmy Fatal, Guitars / Vocals - HOSTILE OBJECTS
pic by Derek J. Huckel
 
HOSTILE OBJECTS - pic by Alec Smart
Jimmy Fatal giving it some!! - HOSTILE OBJECTS
pic by Derek J. Huckel
 
 Luke Death, bass, front & just off centre - HOSTILE OBJECTS
pic by Alec Smart
 
In full flight- HOSTILE OBJECTS
pic by Alec Smart
 
 
Article copyright Derek J. Huckel
& photos copyright Derek J. Huckel & Alec Smart

Wednesday, October 23, 2013

CHINESE BURNS UNIT & VENOM P STINGER : releases & re-releases...

CHINESE BURNS UNIT
Composed of veterans from LAWNSMELL and FRENZAL RHOMB, CHINESE BURNS UNIT now have their debut album out. The band play "passionate melodic punk rock." It's one I look forward to hearing.

CHINESE BURNS UNIT - Check out the limited edition coloured vinyl!


VENOM P. STINGER
Also one to check is the re-release of  VENOM P. STINGER albums, EP's and single. They are as follows: 
  -Walking About 7″, 
  - the classic Meet My Friend Venom debut LP from 1986, 
  - the 1990 “What’s Yours Is Mine” LP
  - and the Waiting Room EP 

The band are seen as quite influential  from the 80's post-punk era of indie Aussie music, along with the Birthday Party and a few others

VENOM P. STINGER 'Meet My Friend'

Their music is described as "a quartet who could sound as weighty as FEEDTIME, but preferred quicker tempos and slightly more standard songs."
- Pitchfork

Gig Review: TURBOBELCO - The Canberran Turbonegro cover band + Supports


TURBOBELCO / BRUCE / HOSTILE OBJECTS / NURSING HOME STALKERS /ONE TAKE EARTHQUAKE

Hermanns Bar, Sydney
19 October 2013
Review by Derek J. Huckel


It was one of those weird nights where it was a bit chilly to get out in this hot weather. Confused? Well upon entering this haven of audio iniquity, those blues were soon blown away...

I walked in on ONE TAKE EARTHQUAKE. They're a kind of thrash rock, you might say a cross of IGGY POP / STOOGES and THE DIRTBOMBS. With all instruments turned to 11, a heavy drum sound, and singer Mo screaming himself nearly hoarse, they belted out numerous catchy numbers like 'Separation Wall', 'It's Your Last Day', and one I think called '12 Hour Fun'. Cool stuff.

NURSING HOME STALKERS were a sonic assault from their onset. The singer launched himself on to the stage (yes, from the floor to stage). Being about the only animated one in the band, the vocalist was like a tightly wound spring going off intermittently. The machine gun metal style of playing was relentless, only slowing at the intros and taking breaths between tunes. The singers' brief between song banter either explained the songs, or asked for spare hash in the crowd.



The HOSTILE OBJECTS drained every centilitre of their thrash shit and very being into their show, in doing so they absolutely killed every tune tonight! I mean this in a very good way. This made it hard to pick a fave - maybe the opening new tune, or 'Young Gods'? But I'll go with the last two 'Turkish Knives', and the crushing 'Cave In'. The sound wasn't the best but the Hostiles didn't let this burden them, with vocalist Rod inviting the audience closer to "look into my eyes." The crowd were willing to comply...







I was sold straight away on BRUCE with their cool sounding rock, a bit faster than oz rock but not quite thrash. Maybe you could call them an Aussie style of HELMET. They are hard to box as with tunes like 'Brown Paper Bag' then after a few tunes their style changed with the slightly slower but hypnotic 'Captain'. It got the crowd in, as did 'Shapes and Numbers'. The pace changed again with 70's styled 'In The Box' - like a heavier STATUS QUO – and two screamo numbers with the femme fatale guest vocalist. Check ém out!



TURBOBELCO hail out of not the cold climes Norway – like their adopted Norwegian 'fore-fathers' - but rather via those of Canberra. Well they might as well have come from the Scandinavian fjords as these camped-up Canberran minstrels, in their TURBO-garb, seemed to have the essence of the Apocalypse Dudes that are TURBONEGRO perfected down to their lil' pinkies. (You decide which pink appendage!!) The crowd of jugends and non-chapter crowd were mostly denimed up for the night. The boys made up hit their cock rock stride immediately with 'The Age of Pamparius' being a chip off the old TN block, as was 'Self Destructo' which they dived into. Disrobing his cape, the Baron not only revealed his belly but BELCO and the postcode of Belconnen, from where they hail, emblazoned in black on his chest. Proceeding to play many off 'Apocalypse Dudes' like 'Back to Dungaree High', 'Monkey on Your Back' and Don't 'Say Motherfucker, Motherfucker' the crowd loved it all! Even closing with 'Good Head'. A fave of mine I think was 'Hell Toupee' and you'd have to love the on-stage sing-a-long of 'Érrection'.


 

 

The tongue in cheek, or not, of the lyrics doesn't matter, this is bloody good rock (cock or not) whatever the tunes are about. If you couldn't get a ticket to the TURBONEGRO boys on their recent tour here or just like rock, put these guys on your bucket-list. A great night out!!


The bands:

ONE TAKE… EARTHQUAKE!  Here's their Website and a 3 song demo

NURSING HOME STALKERS website and tunes

HOSTILE OBJECTS' website and some Hostile tunes on Bandcamp

The BRUCE website and tunes

TURBOBELCO on Facebook and see them below playing back in June...





 



 

Friday, September 27, 2013

Joan Jett's first album in 7 years is out Monday!!

Joan Jett and the Blackhearts will be releasing their first album in 7 years on Monday! Jett says "Unvarnished" is a very introspective album but nevertheless it will still rock!

If her performance here in Sydney at the Annandale Hotel in 2011 is any indication, age has not wearied this rocker who is Joan Jett. From "Bad Reputation" to "Glorious Results of a Misspent Youth" and lastly "Sinner" (ironically released on 6/6/2006), her albums since the Runaways, even a 30 year anniversary rerelease of "Album" on Record Day this April, have had a quality rate of 90% of them being great albums so I am expecting big things from  "Unvarnished".

Here's a recent interview with Joan in the Melbourne, Australia, Time Out magazine...